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Daniel Huntington The Republican Court (Lady Washington's Reception Day) oil painting


The Republican Court (Lady Washington's Reception Day)
Painting ID::  71516
Daniel Huntington
The Republican Court (Lady Washington's Reception Day)
ca. 1861(1861) Oil on canvas 167.6 x 277 cm (65.98 x 109.05 in)

   
   
     

Daniel Huntington The Sketcher: A Portrait of Mlle Rosina, a Jewess oil painting


The Sketcher: A Portrait of Mlle Rosina, a Jewess
Painting ID::  71710
Daniel Huntington
The Sketcher: A Portrait of Mlle Rosina, a Jewess
ca. 1858(1858) Oil on canvas 99.1 x 79.2 cm (39.02 x 31.18 in)

   
   
     

Daniel Huntington Republican Court oil painting


Republican Court
Painting ID::  72704
Daniel Huntington
Republican Court
Date ca. 1861(1861) Medium Oil on canvas Dimensions 167.6 X 277 cm (65.98 X 109.05 in) cyf

   
   
     

Daniel Huntington James Dwight Dana oil painting


James Dwight Dana
Painting ID::  72882
Daniel Huntington
James Dwight Dana
"James Dwight Dana," oil on canvas, portrait by the American artist Daniel Huntington. 29 7/8 in. x 25 1/8 in. Courtesy of the Yale Art Gallery, Yale University, New Haven, Conn. cjr

   
   
     

Daniel Huntington James Dwight Dana oil painting


James Dwight Dana
Painting ID::  74662
Daniel Huntington
James Dwight Dana
oil on canvas, portrait by the American artist Daniel Huntington. 29 7/8 in. x 25 1/8 in. Courtesy of the Yale Art Gallery, Yale University, New Haven, Conn cyf

   
   
     

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     Daniel Huntington
     (October 4, 1816 -April 19, 1906), American artist, was born in New York City, New York, the son of Benjamin Huntington, Jr. and Faith Trumbull Huntington; his paternal grandfather was Benjamin Huntington, delegate at the Second Continental Congress and First U.S. Representative from Connecticut. In 1835 he studied with Samuel F.B. Morse, and produced "A Bar-Room Politician" and "A Toper Asleep." Subsequently he painted some landscapes on the Hudson river, and in 1839 went to Rome. On his return to America he painted portraits and began the illustration of The Pilgrim's Progress, but his eyesight failed, and in 1844 he went back to Rome. Returning to New York around 1846, he devoted his time chiefly to portrait-painting, although he painted many genre, religious and historical subjects. From 1851 to 1859 he was in England. He was president of the National Academy from 1862 to 1870, and again in 1877-1890.

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